it´s really really creepy. there are parts of that set that like, I would never walk into if I was by myself on that soundstage and … it´s like an entire structure within another structure if you think about it, cause there´s really no windows in the set, it´s very oppressive and institutional and those colors… it´s really creepy and uncomfortable and it takes some getting used to for sure.
I play my banjo on set a lot because it sort of lightens up the mood and at first I was a little bit nervous about doing that and then people were like ´thank you for doing that. it makes it so much easier to work.´
so it can be a little bit intense. (interview)